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Patricia
Reviewed in the United States on September 19, 2024
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Rafael
Reviewed in the United States on April 23, 2024
Lights work great. There are 2 issues if I had know I would not have bought them. 1. There really in not shut off button. It say to put it to black and it shuts it off. Not really, the fan never, I mean never shuts off. I put it to black and 2 hours later the fan was still going. I put them up on my 14 foot high ceiling, which meant that if I wanted to shut them off, I would have to climb a ladder and unplug them every time I wanted to fully shut them off and then back up to put them on. 2. They emit a loud fan noise. I could not record audio without the fan noise in the background. I really hoped they would have been able to be shut completely off and not have such a loud sound, after all they are just lights. I am returning them today as I am still within the 30 day return period.
Aaron Crosby
Reviewed in the United States on August 21, 2023
I play in an acoustic duo and wanted to add some light for when we are playing but didn't want to haul around a bunch of lights. By use of lighting "C clamp" I am able to attach this light onto my speaker stand beneath my speaker and send the colored light across myself and my partner adding some light to our shows without bringing a bunch of extra gear. The light can also be set on the floor and angled up at you. But, this light is bright, so finding the right angle to shine it on you without blinding you is the trick. The optimal setup is if you are in a venue where you can mount it above you facing down. It produces a nice flood and can light you up nicely. Remote has to be aimed at just the right spot on the back of the light to work correctly. As with a lot of gear, the directions are limited, but with a little fooling around with the remote, you can make it functional in just a few minutes. Not a bad light for the money.
Mark Welker
Reviewed in the United States on July 26, 2023
As a tech-savvy backstage volunteer with some local community theater groups, I've taken on a variety of roles including Technical Director for a group that was needing a portable lighting setup for their production. When we started we primarily were using the low end, entry level 36 LED RGB Par lights which worked for the time and budget at the time, but as we've grown, so have our budget and ability to get bigger more powerful lights. We're not to the point where we can get pro equipment (or even second-hand pro equipment) but we've been finding Betopper a reliable middle ground. The lights are bright and fairly uniform and the aluminum housing seems to be cool enough to work with. It was easy to find the DMX profiles in QLC+ and Luminair DMX software for setting up for programming and the unit electronics seemed fairly responsive. It would be nice is the leg brackets were a little thicker gauge, but they work as legs or a place to add a pipe clamp to and hang off a lighting truss, and while the fans made some noise, its not loud enough to be a concern with a stage production. In the end, if you're needing a couple of lights for a larger space, or otherwise looking to upgrade from the low-cost 36 LED RGB Par lights out there, this seems to be a solid choice and one we've been happy with as we are getting ready for another production
DadoMultimedia
Reviewed in the United States on July 22, 2023
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zomBeej
Reviewed in the United States on July 20, 2023
This light is very bright for what it is. I was happily surprised. You can see from the pictures how much coverage you get with this thing. The pics show the basic red, green, and blue settings as set from the remote. A note on the remote: It's really, really finicky. Don't expect to change it in the middle of a DJ set. The remote has to be pointed at exactly the right spot on the light to make it work. At first, I thought the remote just didn't work. Eventually I found the right spot, though.As for the different scenes, they seem to work as expected. The music scene, however, doesn't really appear to do much, though I haven't worked with it a whole lot. FADE gently fades from one color to the next, JUMP jarringly jumps from one color to the next. PULSE starts with a desaturated color and fades to a saturated state, then jumps to a new desaturated color. The light also has the capability, via the remote, to adjust the individual RGB values to set it to any static color you desire. The remote's functionality seems great, I just wish the sensor was in a better place.Overall, this seems like a pretty good value to me. I'm interested to see how well it works with a DMX controller. Maybe I'll update when I've tested that.
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